Title: "Orgy Of Ants"
Medium: Mixed media on canvas
Artist: Marina Orlova
Dimensions: 84” x 94”
Beneath the soil, where roots rot and secrets squirm, Orgy of Ants unfolds—a surreal frenzy of limbs, lust, and collective delirium. Part ritual, part rebellion, the piece imagines what happens when primal desire tunnels deep, untouched by light or law.
Title: “The Devil Took Us Both”
Medium: Mixed media on canvas
Artist: Marina Orlova
Size: 90" x 84"
Hades seduces both Demeter and Persephone in this dark twist on the myth. Bound by desire and silence, mother and daughter reflect a curse not stolen—but inherited.
Title: “The Seduction of the Flesh by the Cosmic Mind”
Medium: Mixed media on canvas (diptych)
Artist: Marina Orlova
Size: 96” x 120”
A grotesque nude man clutches raw meat as a radiant alien offers him the Earth. One drips with decay, the other hums with cosmic grace. Between them, our planet hangs—suspended between gluttony and transcendence. The meat is no longer food, but sacrifice.
Title: "Harvey The Hutt"
Medium: Mixed media on canvas
Artist: Marina Orlova
Dimensions: 60” x 48”
Marina Orlova had a consensual encounter with Harvey Weinstein—one that left no visible wounds, but etched a quiet scar. This painting is her reckoning. Her refusal to stay silent before arrogance masked as power.
Rendered as Jabba the Hutt, Weinstein becomes a grotesque idol of decaying patriarchy—bloated, irrelevant, and cursed through satire.
Title: "10K Likes Later"
Medium: Mixed media on canvas
Artist: Marina Orlova
Dimensions: 87"x 70"
Marilyn Monroe is crucified—not by the church, not by the studio heads, but by Steve Jobs himself. In “10K Likes Later,” Marina Orlova resurrects the platinum saint of seduction only to nail her to the digital cross of modern validation. The painting is a savage indictment of fame’s evolution—from studio-manufactured iconography to algorithmic worship