Kim Kardashian is recast as a bleeding, gender-shifting icon—part man, part witch—posed like Da Vinci’s Vitruvian Man. Barbies spiral toward her dripping penis, not out of awe, but hunger. This is not motherhood—it’s the spectacle of capitalism cannibalizing itself. Fame, here, is built on blood, sex, and illusion. She’s not a woman. She’s a system.


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